Philip Larkin, who hated artistic modernism with a passion that bordered on (or sometimes crossed the border into) rage, blamed the whole ghastly mess on the three Ps: Ezra Pound, Charlie Parker and ...

Most of the work I do after the early part of the ‘70s, deals with one’s movement in relation to space over time. NARRATOR: In naming this piece Equal-Parallel: Guernica-Bengasi, Serra compared the ...

Having spent much of the past decade researching my book "Picasso the Foreigner," I was reminded by this turmoil and devastation of the artist’s monumental masterpiece, "Guernica." In the spring ...