Ira Sachs’s latest film, Peter Hujar’s Day, takes the slice-of-life genre to its extreme, delivering an experimental work that many may dismiss as uneventful but has many fascinating layers to unpack.
The early 2000s was a crazy, weird time of defeating dystopias with karate, sending texts via Microsoft Excel, and ignoring your pets so you could look at jpegs of pets. As its adverts might have ...