A love triangle that plays out in and around the tennis court, in a film that thwacks the audience back and forth like a ball over a net.

Sundance 2025: Brides, Where the Wind Comes From, Two WomenMovie reviews and ratings by Film Critic Roger Ebert | Roger Ebert

2024年7月10日 · Longlegs is designed to rattle you, unsettle you, and make you think about it hours or even days later.

2024年9月27日 · Kuras understands the unique position of the photographer as intrusive but unobtrusive, sensitive enough to see where the story is but removed enough to maintain observer status.

2024年7月5日 · As the film gets closer to its conclusion, MaXXXine lacks tension and momentum.

2024年11月7日 · The film is a distillation of thousands of years of the same basic narratives into barely different religions that have shaped human history. And it’s all filtered through a gloriously tense lens, making for a genre flick that’s both satisfying on a primal level and an intellectual one. It’s designed to simultaneously quicken your pulse and mind, which is too rare in genre filmmaking. It ...

2024年8月7日 · It Ends with Us is certainly not a bad film. At times, it's actually quite good and its central message is crafted with intention and care.

2024年4月10日 · Whatever you expect from an Alex Garland movie, he always gives you something else.”Civil War” is something else again. It premiered in the US hours before I published this and it’s already divisive. I look forward to reading all of the arguments for and against, even though both early raves and pans seem to be operating under the reductive assumption that it’s one of three things: (1 ...

2024年11月26日 · “Moana 2” is another Disney sequel that’s content to go through the motions, often feeling like the Disney+ original that it was once intended to be before pivoting to a holiday theatrical release. It looks gorgeous, which may be enough for some viewers, but it’s a remarkably thin piece of storytelling, an adventure tale with very little …

2024年10月18日 · Not only does Kendrick give a typically intelligent and spunky performance, but as a director, she shows a keen curiosity about the power of the gaze.