DIGITAL PRODUCTION – Magazine for Digital Media Production
2019年10月7日 · THE magazine for every aspect of digital media production - vfx, postproduction, color-grading, and everything related to it.
Media Kit - Digital Production
Digital Production is a German-language magazine that covers the entire spectrum of digital media production. Our editorial team focuses on the technical and aesthetic realms of animation, visual effects, visualizations and design as well as on various post-production processes. Along that, there is hardware & software development, games …
Digital Domain Lets Agatha Fly – DIGITAL PRODUCTION
2 天之前 · DP:Marvel’s “Agatha All Along” has such a unique tone and aesthetic.How did your team approach defining the visual style of the series? Michael Melchiorre: We knew going into this show that the creatives were looking to evoke the feeling of movies we all watched in the early to mid eighties. Movies like “Poltergeist,” “Ghostbusters,” “Return of the Jedi,” and “E.T.” were ...
Articles – DIGITAL PRODUCTION
Posts about Articles written by Advertorial, HFF Hochschule für Fernsehen und Film München, DP, Bela Beier, Gottfried Hofmann, Christoph Zapletal, Mike Kuhn, Uli Plank, Ralf Gliffe, Alexander Richter, Jörn-Erik Burkert, Manuel Kotulla, Jürgen Firsching, Arne Palluck, Cornel Hillmann, Olaf Finkbeiner, Michael Radeck, Nils Calles, David Feuerstein, Mondlicht Studios, Martin Rieger, Jonas ...
iClone 8.52: A Major Leap for Professional Animation Editing
2025年1月7日 · iClone 8.52 delivers a highly anticipated update for professional animation editing, packed with groundbreaking features driven by user feedback. Despite its numerical step from 8.51, this release introduces transformative tools to elevate animation workflows.
Meet the authors! – DIGITAL PRODUCTION
Matthias Aderhold ist freiberuflicher Application Engineer und Workflow-Spezialist. Er arbeitet als technischer Berater für mehrere Softwareentwickler für Farbkorrektur von Film und Fernsehen und arbeitet mit verschiedenen Post-Häusern zusammen.
HDR Without Headaches: Dolby Vision Training by Matthias Bolliger
2025年1月5日 · Dolby Vision’s high dynamic range (HDR) capabilities set the standard for stunning visuals. Now, Matthias Bolliger—a seasoned DOP and Cameraman—guides professionals through the essentials with a Dolby Vision training course.Available on the Dolby Learning Platform, the course covers HDR mastering, color …
NVIDIA’s RTX 5090: Overkill or Exactly What Your Render Farm …
2025年1月7日 · Memory: Bigger Buffers, Fewer Bottlenecks. NVIDIA highlights increased memory across the board for this lineup. The RTX 5090 ships with a colossal 48GB GDDR7, making it ideal for handling complex simulations, multilayered VFX compositions, and large real-time assets.Meanwhile, the RTX 5080 and 5070 Ti offer more modest but still production-ready memory configurations, ensuring smooth ...
Virtual production with just one LED screen?
2024年9月3日 · Recent Posts. Walk the Space Station—Virtually; 20 New Presets for Tiny Eye 1.3: Eyes Wide Open; Blackmagic Camera 9.2 Update: Pyxis 6K Gets Remote Love
The new kid on the block! – DIGITAL PRODUCTION
2023年10月31日 · DP: Autograph is a new contender in a market dominated by After Effects and Nuke. What sets it apart from the competition? Francois Grassard: Autograph, created by Left Angle, is a software intended to be between After Effects and Nuke.